NIN's Ghosts III, Wherein JR Speaks the Truth

Okay, so Iris is all whining that Maise has deserted this place and with a whole new peachy keen NIN record in four parts that need IMMEDIATE ATTENTION and blah, blah, blah, and I’ve been railroaded into taking some time out of my already crazy busy schedule to do a review of the third movement of NIN’s Ghosts. So, as I routinely say to my boss, There ARE 24 hours in a day (why not use ‘em all?), and I set out to give it a listen and see what’s what. I’m even giving my thoughts in real time, so this review is also innovative.

This had better be good.

Reznor has something of a history of disappointing me lately.

Ghosts III – 19

• First of all, I’m not digging on the numbering system. I guess when you’ve got to turn something out as quickly as this, you don’t have time to: A. Come up with lyrics; B. Come up with song titles; C. Wait for the packaging ideas to come to you, so you just release it real cheap as a download.
• Soundtracky.
• Is this song ever going to get off the ground? I haven’t got all day. I can’t sit around and paint pictures with my mind AND make videos for this stuff for you, Trent. I already have a job. What happened to the artist being responsible for the art?

Ghosts III – 20

• I guess it’s cool that Reznor is such a fan of recycling that it includes not just plastics and newspapers, but past songs of his. “Closer”, anyone?
• This song is, like, begging for lyrics. Reznor is neglecting his own material.
• Feels like a long intro to something else.
• I like what it morphs into in the second half; more organic, less of the ball-less industrial-lite of the first half.
• The outro with piano sounds a lot like the softer parts of [With Teeth]. He must be sucking Al Gore’s dick with all of this recycling going on.

Ghosts III – 21

• Does nothing for me. Other than to make me think of Fields Of Gaffney’s “Xylophone.” So I guess that means he’s recycling other people’s stuff, too.

Ghosts III – 22

• Is that a didgeridoo?
• Trent does lite-jazz!
• I like the drum sound, though the actual drum riff sounds, shall we say, “familiar.”

Ghosts III – 23

• Finally, something that I can sink my teeth into, and that references NIN’s back catalog without sounding mired in it.
• Love the distortion. Finally.
• Okay, two thirds of the way through this song, and where is this going? Anywhere?

Ghosts III – 24

• Okay, something else that is starting out promising.
• Totally hearing the Human League influence in the keyboards.
• I think club DJs could get a lot of mileage out of this one.

Ghosts III – 25

• Tedious.

Ghosts III – 26

• zzzzzzzzzzzzzzz

Ghosts III – 27

• zzzzzzzzz….zzzzzzzzz….huh?….oh, nothing…….zzzzzzzzzz
• Well, part the underlying guitar line is reminiscent of Cheech & Chong’s “Earache My Eye”—can’t wait for that lawsuit!

I guess I would like listening to this stuff while doing yoga, or going for a walk or something. Except that I hate walking, and haven’t done a single yoga pose in three years.

This sounds, overall, like nothing more than more thought out than average demos, which seems to prove my point that this is why TR chose to release it as a download. It’s expensive to release a multi-disc “work” (and believe me, ladies and germs, I’m using the term “work” loosely), and there would probably be a backlash from people who felt ripped off. And well they should. But if you get a few dozen songs for five bucks, that makes it a little harder to complain.

In all honesty people, I don’t want it to be the case, but I think Trent is running out of ideas. Every song on here either sounds like something that he has already done or something that someone else has done. I’m not stupid enough to not realize that there aren’t really any original thoughts left in music, and it’s all about how people interpret their influences, but this is kinda like stealing Aunt Linda’s Famous Apple Pie recipe and passing it off as your own, just charging $1.50 a slice instead of $4.25. Just cause it’s a bargain and not total crap doesn’t make it good.

You know, if I wanted to carry the apple pie analogy a little further, this is not only like stealing the recipe and trying to pass it off as your own (…cough…Rachel Ray…ahem…cough…), it’s like also saying, “Well, you know, I thought maybe what you apple pie fans should do is go out and make your own ice cream to go on top of this pie. You can have a slice now, and eat it without anything on top of it, OR you can take the slice—did I mention it’s only $1.50 and that you can get it right through your computer?—and set it aside while you go to the store and get the cream, vanilla and rock salt, churn the ice cream, wait for it to set up, then scoop it out yourself and put it next to the pie I made. In fact, I’m going to have an ice cream making contest to see who comes up with the most interesting ice cream to go alongside my pie. So get churnin’!”

Yeah, it’s kind of A LOT like that.

Thanks for nothing, Reznor.

I’m sticking with GAFFNEY.

About the author: JR is known by many as the “hardest working woman in (non-profit) show biz,” a title that—along with herself—she takes very seriously. You can read more about her exploits and preferences at JR.”

NIN's Ghosts II, Wherein Iris Loves the Music...

...but retains the right to poke fun. But first some other very important NIN related news. According to nin.com yesterday we were to "watch for an announcement tomorrow!" Today was the day and HOLY SHIT what an announcement it was.

I think the only other thing that could have made me happier is a solid confirmation to play Lollapalooza. But as excited as I am right now about the potential greatness of this band/fan interaction (seriously Trent I'm so proud of you!) I also groan at the thought of all the pure and utter crap it will produce and that has already started. Let's face it...at the end of the day a large portion of NIN fans are retarded. But do I plan on making what will probably be an equally retarded entry? Well after a little pep talk from my excellent friends for what has otherwise been the shittiest workday I've ever experienced in my life, the answer is a definite HELLZ YEAH!

For now though I'll continue on where Maise left off with my random review of Ghosts II. Perhaps I shouldn't reveal all my ideas since I may be competing with some of you in the film festival...but oh what the fuck, right.

10 Ghosts II-- So if you nodded off during the soft tinkering piano in #9 Trent's added a nice "CLAP" at the beginning of this number to wake you up. Points off. I was just getting somewhere in my daydream and then you had to go and snap us back to reality. Well not reality...just some TV static, pots and pans percussion, some other noisy bits, and more piano. This track seems to be lacking something to me. It just doesn't really go anywhere musically or take your mind off on a trip.

11 Ghosts II--A slow builder that weaves an interesting path between distorted guitars, warbled synths, piano, and a staggered drum line. This one is excellent for headphones as it shifts from one side to the other. It finishes with a nice fade out that makes you ponder where you've just been. #10 should take notes.

12 Ghosts II--I really like this song but I can't deny that it makes me think of the Dresden Doll's "Delilah". There's really only about 3 second long piano part that makes me think that but then it kind of repeated throughout the song. And now that I've made the association I can't not hear it. I hate to even bring it up for those who may not have made the connection. I'm wondering...was this intentional or did Brian Viglione suggest it?

13 Ghosts II--Ah...sweet, sweet #13. Far and away my favorite track on the whole release. Just Trent noodling away with his piano. Another great one to listen to on headphones. Sit down, close your eyes, feel your breathing slow as you let it sink in and wash over you. -sigh- So relaxing that I believe that Trent may have even nodded off towards the end. Some people who want to take it out of context may say the breathing you hear during the last half of the song may be creepy and a little "the call is coming from inside the house" but they can fuck off. I love that Trent can make this kind of quiet retrospective melody in what I'm sure can still be at times a frat-boy mentality environment. Although I can also picture Trent holed up in his room with his keyboard and beat up boombox ala the "Non-Entity" Hurricane Katrina Benefit performance. My only complaint with this one is what feels to me to be an abrupt ending.

14 Ghosts II--If I were giving these tracks real names this one would definitely be called "Trent Goes to Bollywood". The music video would be an odd assortment of belly dancers, snake charmers, perhaps even the Indian Thriller dance troupe, some hand held Cloverfield-esque footage of walking through the streets of Bangladesh, and it would all be projected on the giant cheese cloth screen during the live performances. Just to keep it in line with Trent's other movie projection projects there would also be pictures of oh...I don't know...rotting coush-coush, a sacred cow chasing down a bird or attacking a kid or something, and maybe this Minnie Mouse(?) just to scare the shit out of little kids and send a "Fuck you" to Disney for maybe an old repressed grudge when they told Trent he was too short to ride the rides. I don't know. Just thinking out loud here.

15 Ghosts II--The feel of this song and the picture accompanying it me think that I'm being held captive in some evil scientists laboratory out in the middle of the woods where the mad doctor performs experiments on those forgotten in some kind of 70's sci-fi thriller. Perhaps Trent had just watched the "Island of Dr. Moreau".

16 Ghosts II--Another track reminiscent of international origin. It's like electric Aboriginal? The "vocals" remind me of someone using an electrolarynx. Either that or one of those auctioneers talk so damned fast you can't really understand them so later when you go to settle your bill you find out you didn't purchase the antique rocking chair that you thought your Grandma would like but instead bought a cardboard box of mismatched shoes, broken drill bits, and a collection of 12 years worth of pocket lint. Yeah it sucks when that happens but if I got to listen to this song when I got back to my car I guess it wouldn't be so bad.

17 Ghosts II--Starts off sounding a bit like "TDTWWA" and "Help Me I'm in Hell". Um-hmm...working my way through...listening...um-hmm...yeah...FUCK, Trent! What did I say about that xylophone? I don't care that you tried to bury it under layers of other noise! This is not acceptable. Did you listen to Lullaby Renditions of NIN and think it was a good idea?

18 Ghosts II--A catchy tune but aside from the small guitar riffs and feedback, I would say it was solely comprised out of old Nintendo game sound bytes. Remember when Meathead remixed "Closer to Mario"? Yeah. Or maybe it predates Nintendo...is that Pong I hear?

If you've not downloaded the album and want to listen to the songs we're referring to then check the playlist here on Channels Parallel. Stay tuned to hear Maise weigh in on Ghosts II and for the eventual third installment. Now if you'll excuse me I'm off to make my masterpiece video that will win this "non-contest".

I'm the Hunter

Everyone's favorite crazed Icelandic singer, Bjork, strikes again. This time attacking a newspaper photographer after arriving in New Zealand's Auckland International Airport today.

Bjork, who is in the northern city of Auckland to perform at the Big Day Out concert on Friday, tore "New Zealand Herald" photographer Glenn Jeffrey's shirt after he photographed her arriving at the airport early Sunday, he told news agency New Zealand Press Association according to a report on Monday.

Jeffrey, a news photographer for 25 years, said Bjork was accompanied by a man who asked him not take photos.

"I took a couple of pictures ... and as I turned and walked away she came up behind me, grabbed the back of my black skivvy (T-shirt) and tore it," he told the agency.

"As she did this, she fell over, she fell to the ground," he said. "At no stage did I touch her or speak with her."

Bjork said nothing throughout the incident but her male companion was saying: "'B, don't do this, B, don't do this,'" Jeffrey said.

I'm betting Jeffery has never seen this video which should really be required viewing to those interested in any facet of journalism.

It may be wrong but this video always cracks me up. Jeffery probably unknowingly welcomed Bjork to New Zealand which you should NEVER do without expecting repercussions. Seriously, dude.

You gotta love Bjork, who is like 5ft nothin', giving the smack down on reporters and photographers. I think she ought to start a side business offering herself as a bodyguard. There are plenty of young celebrity poptarts who could benefit from her services. Britney might not be in the current nightmare she's in if she just had Bjork to beat down the paparazzi. And Dr. Phil for that matter. Or hell, even beat down Britney from time to time. I'm just saying.

Don't mess with Tori

check the 2:30 mark

Tori Amos would like to remind everyone to please turn off all cell phones and remain seated at all times. Thank you.

source: TMZ